Everything Endroll does. And where to click.

Point Endroll at a folder. It reads everything on your machine first, then asks what film you want to make.

Script is where you say what the film should say. Switch between Script and Edit with the toggle next to the zoom slider.

The cut runs top to bottom. Every shot is a row with the line spoken in it, and the orange line is the playhead. Everything you do by hand here runs on your machine and never spends a credit.

Everything you shot, searchable by what was said and what is in the frame. The search runs on your machine.

Four sound lanes run beside the picture: dialogue, music, voice and effects. Your own music is free; generated sound shows its price first.

Captions come from the transcript. Titles and lower thirds come from templates. Anything else, describe it, then refine it in the designer.

Tell the cut what to change, the way you'd tell an editor. Mechanical changes happen instantly and are free; creative work is a re-cut and shows its price first.

Render the film on your machine, or hand the timeline to Premiere Pro, DaVinci Resolve or Final Cut. Nothing here spends a credit.

One plan a month: the editor and the credits. The app always tells you what runs on your computer and what uses credits.

The Endroll panel brings search, transcripts and the cut into Premiere Pro 25.6 and later. Get it from Adobe Exchange and connect it from your account page.