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Six customers said it. One film should.

Six interviews, filmed months apart, in six different rooms.

Every interview has one or two lines worth using. Together they'd make the film sales keeps asking for — but turning six people into one story means watching all six, twice.

So far, each one is its own unwatched file.

Endroll with a cut open: the picture on top, every shot below it with the words spoken in it.
The cut reads top to bottom — picture, then the words that go with it.
01

Search every interview at once

Type what you hope someone said — 'support', 'switching', 'saved us' — and the results are the moments, not the files.

02

Star the lines you want

Star moments as you go. They collect into a screenplay you can put in the order the story needs, and draft the film from.

03

Get the cut

Endroll's AI builds the film from those lines and lays b-roll where it helps. Every line begins and ends where the customer did — nothing is stitched into a sentence nobody said.

See which points your footage can carry

The screenplay reading shows a coverage heat on each beat, so before the draft you know which points have a customer saying them, and which ones you'd be hoping for.

Endroll is one editor, read top to bottom: the film is a list of shots, each carrying the line spoken in it. You don't need to be an editor to read that — and if you are one, the cut opens in Premiere Pro, DaVinci Resolve or Final Cut.

Titles and lower thirds are part of the shot, not a layer bolted on after.